Wednesday, February 10, 2010

The Wolfhounds- Unseen Ripples From A Pebble... (1987)



There's been a couple of posts on The Wolfhounds over on Cactus Mouth Informer recently. I never really knew what to make of this band from Essex (for a start I thought that The Wolfhounds was a particularly dreadful name)- the opening track on this LP sounds like Altered Images but later they developed a sound more akin to Sonic Youth.
Here's a vinyl rip of their 1987 LP...


Tuesday, February 9, 2010

Orchestral Manoeuvres In The Dark- Peel Session, February 21st 1983


Genetic Engineering
Of All The Things We've Made
Abc Auto-Industry
Bunker Soldiers (03/09/1979)


Line up:
Andy McCluskey - bass, vocals, drum machine
Paul Humphries - keyboards, vocals
Martin Cooper - synthesiser
Malcolm Holmes - drums
There was also a tape deck named Winston.

The album issue of OMD's Peel Sessions is a bit misleading on this one. Electricity was never played in a Peel session, but it is included on the LP as a bonus track. I can't find a recording of Bunker Soldiers from this, the fourth session (I used to have it on tape) so I've put in the 1979 Peel session version.
Andy McCluskey was a visionary, an immensely talented man. And then he gave us Atomic Kitten...



Saturday, February 6, 2010

The Teardrop Explodes- Peel Session, October 2nd 1979


Brave Boys Keep Their Promises
Ha Ha I'm Drowning
Went Crazy
Chance

Line up:
Michael Finkler - guitar
Julian Cope- bass, vocals
Ged Quinn - keyboards
Gary 'Rocky' Dwyer- Drums


Thursday, February 4, 2010

Hafdís Huld- Dirty Paper Cup (2006)


Whilst we are on the subject of Iceland...
Hafdis Huld has a painstakingly fragile, quirky voice - like Bjork crossed with Cerys Matthews on a diet of candyfloss. Her solo album delivers some minimal but deliciously skewed pop as Huld belies her gooey vocals and strummed acoustics with dark concerns and some satisfyingly nasty lyrics- The Guardian.
Dirty Paper Cup, Hafdís Huld's debut album, was released in 2006. It features a cover of a Lou Reed song played on the ukelele.
Enjoy...




Tuesday, February 2, 2010

Black Flag #2...


The Revolutionary Insurrectionary Army of Ukraine (known as The Black Army or Makhnovchina) was led by the legendary Anarchist Nestor Makhno (1888-1934). Active during the turbulent years 1918-1921, the army consisted largely of peasants and workers and numbered between 15,000 and 110,000.
Discipline was democratically imposed, commanders were elected and recallable and rules were approved by soldier committees.
Initially armed with equipment abandoned by the retreating German and Austro Hungarian armies, the Black Army won victories against German, Austrian and Ukrainian Nationalist forces and predominantly Czech units of the White Army.
In the areas that they liberated the Makhnovists abolished capitalism and the state, helping to organize village assemblies and councils. Land and factories were expropriated and put under peasant and worker control by means of self-governing committees.
Captured officers were summarily executed but the proletarian rank and file soldiers were at liberty to either return home or join the Makhnovchina.
An independent Ukraine, regardless of political colour, was not on the agenda of the Bolsheviks, who determined to crush both the Makhnovists and the Ukrainian nationalist movement.
In August 1921 the Red Army of the Southern Front, under the command of Mikhail Frunze, finally defeated Makhno, who spent the rest of his life in exile.
The message on these banners is (approximately)- death to landowners and enemies of the workers- Liberty or Death.

Sunday, January 31, 2010

John Peel- Desert Island Discs (1990)

On last week's Morrissey Desert Island Discs post we acknowledged the difficulty of selecting just eight records after a lifetime of following pop music. If it is hard enough for us mere mortals imagine the difficulty faced by John Peel when he was castaway in January 1990 (20 years ago? ridiculous).
I was going to write a bit here about how the teenaged Lonnie Donnegan fan's fetish for records led to him becoming the most revered figure in British popular music, but it would be superfluous.

Handel: Zadok the Priest
Roy Orbison: It's Over
Jimmy Reed: Too Much
Misty in Roots: Mankind
The Undertones: Teenage Kicks (overall choice)
Rachmaninoff: 2nd piano concerto
The Fall: Eat Y'self Fitter
The Four Brothers: Pasi Pano Pane Zviedzo


Here's the programme, first broadcast on January 14th 1990.

Saturday, January 30, 2010

Рубль- Совесть (2009)

I wouldn't normally post something this new, but I doubt that it's widely available outside Russia.
When Leningrad split up in 2008 Shnur (Sergei Shnurov) formed Рубль (Rubl).
The punk elements are more to the fore on this seven track 'maxi single', Совесть (Conscience).


Рубль- touring Russia in February, apparently...


Thursday, January 28, 2010

Alan Moore said...

Alan Moore said: If we were to take out all the leaders tomorrow, and put them up against a wall and shoot them— and it’s a lovely thought, so let me just dwell on that for a moment before I dismiss it—but if we were to do that, society would probably collapse, because the majority of people have had thousands of years of being conditioned to depend upon leadership from a source outside themselves. That has become a crutch to an awful lot of people, and if you were to simply kick it away, then those people would simply fall over and take society with them. In order for any workable and realistic state of anarchy to be achieved, you will obviously have to educate people—and educate them massively—towards a state where they could actually take responsibility for their own actions and simultaneously be aware that they are acting in a wider group: that they must allow other people within that group to take responsibility for their own actions. Which on a small scale, as it works in families or in groups of friends, doesn’t seem to be that implausible, but it would take an awful lot of education to get people to think about living their lives in that way. And obviously, no government, no state, is ever going to educate people to the point where the state itself would become irrelevant. So if people are going to be educated to the point where they can take responsibility for their own laws and their own actions and become, to my mind, fully actualized human beings, then it will have to come from some source other than the state or government.

The whole of the interview can be found here.

Tuesday, January 26, 2010

Bradford- Shouting Quietly (1989)

Hats off to social networking ! Mmm... Amongst the friend requests from people who normally pass you in the street and invitations to adopt nonexistent baby penguins you can, just occasionally, make contact with long lost friends. Therefore I would like to dedicate this post to Mr Jim Jones.
Appearances can be deceptive, and Bradford (who actually came from Blackburn) looked more like the feisty Redskins than the sensitive observers of eighties working class life that they were. They epitomised the socialist minded indie bands that followed in the wake of The Smiths. It does, indeed , take guts to be gentle and kind. Shouting Quietly is itself a phrase which to me sums up the discontent that was common amongst young, creative working class people after ten years of Thatcher. Criminally overlooked.
Bradford supported Morrissey in his first solo live performance and The Great One went on to cover Skin Storm as the b-side to his rockabilly hit Pregnant For The Last Time.
Lovely cover picture of Sir Noel Coward.


Ian Michael Hodgson - vocals, guitar
Ewan Butler - guitar
John Baulcombe - keyboards
Jos Murphy - bass
Mark Andrew McVitie - drums

Sunday, January 24, 2010

Red Wave-4 Underground Bands From The USSR (1986)


This LP, put together by American producer Joanna Stingray, was the first western release of rock music from the Soviet Union.
At this time rock music in the Soviet Union was still largely an underground affair.
The four bands featured were all from Leningrad (now St Petersburg):



Аквaриум (Aquarium)











КИНО (Kino)







Алиса (Alisa)








Странные игры (Strange Games)





Saturday, January 23, 2010

Morrissey- Desert Island Discs (2009)

Sorry for the delay in bringing you this -

Okay nostalgia lovers, who remembers the heady days of November 2009 when the world was a better, safer place? We used to leave our door unlocked in them days...

For those of you who don’t know (i.e.- those who are not from Britain) Desert Island Discs is a long-running radio programme. It was first broadcast on 29 January 1942 .
Imagine that you are obsessed with pop music from a young age- it is your all consuming passion- you become an aficionado.You enjoy a successful 26 year music career in which your work is rich in pop culture references, all influences reverentially eulogised. Then at the age of fifty, after 45 years of obsessive pop fandom you are invited onto Desert Island Discs and have to choose eight records.
Eight.
Practically impossible.
When he appeared in November last year I thought that Morrissey might include: Sandie Shaw, Jobriath, some Rockabilly, Ludus, Patti Smith, Joni Mitchell.
Here’s what he did choose:
• New York Dolls - (There’s Gonna Be a) Showdown (overall choice)
• Marianne Faithfull - Come and Stay With Me
• Ramones - Loudmouth
• The Velvet Underground - The Black Angel’s Death Song
• Klaus Nomi - Der Nussbaum - The Walnut Tree
• Nico - I’m Not Saying
• Iggy & The Stooges - Your Pretty Face is Going to Hell
• Mott the Hoople - Sea Diver

Included here are the eight records in their entirity and the complete programme.
For a more comprehensive insight into Morrissey’s tastes and formative influences see the LP Under the Influence .


Thursday, January 21, 2010

Black Flag # 1...

During the first quarter of the twentieth century the revolutionary zeal of the sailors of the Russian Fleet was impressive.
The Summer of 1905 saw the mutiny of the Black Sea Fleet, which provided the most enduring and evocative symbol of a year of great unrest (see Red Mutiny: The True Story Of The Battleship Potemkin Mutiny by Neal Bascomb. The 1925 film The Battleship Potemkin by Sergei Eisenstein gives a dramatized version of these events).

During the riots of the February Revolution of 1917, the sailors of the Baltic Fleet based at Kronstadt,30 kilometers west of Saint Petersburg, supported the workers and killed their officers.
The Kronstadt sailors pictured above are about to embark on a protest against the Provisional Government in June 1917.
Later their role in the Great October Revolution would also be significant, providing the Bolsheviks with military muscle and an enduring symbol of October in the actions of the cruiser Aurora, but ultimately their disillusionment with the Bolshevik system would lead to a further revolt their destruction at the hands of Trotsky's Red Army in March 1921.
Whilst the artistry in the flag is rudimentary the message is clear- Death to the Bourgeoisie.

Monday, January 4, 2010

Vacation...


I'm off again- see you in about two weeks, weather permitting...

Birthday greetings to cousin Adrian.

Birthday greetings to cousin Adrian.
Have a good time and think about getting those vinyls down from the loft!
Five decades:















Sunday, January 3, 2010

Rowland S. Howard 1959 –2009

Joy Division- Peel Session December 12th 1979

Cock Jockeys? No fucking way!

Joy Division’s second session for John Peel was transmitted on December 10th 1979.

Love Will Tear Us Apart
24 Hours
Colony
The Sound Of Music



Friday, January 1, 2010

Felt- Absolute Classic Masterpieces (1979- 1985 comp.1992)

Often overlooked, Felt were one of the coolest acts on the independent scene in the 1980’s.
This compilation of songs from the bands’ first five years (with Cherry Red Records), billed as a chronological history in reverse, provides an excellent introduction.
Included here are the booklet, featuring lyrics and an interview with early member Nick Gilbert .
This collection is now designated Absolute Classic Masterpieces Volume One, with Volume Two covering the period that they spent with Creation Records.



ps:In the picture: Martin Duffy, Lawrence, Mick Bund and Gary Ainge- so apologies, this comes from a later period of Felt’s history. Just noticed that. Nice pic tho.

Thursday, December 31, 2009

The Miracle of the Aubergine


These were the scenes in the Welsh market town of Cwmgrwfi this morning as crowds of people consumed with morbid curiosity descended on the bedsit of local man Sylvester Sylvestre.
Trainee astrologer Mr Sylvestre (pictured right), aged 19, is well known for his potent homebrewed aubergine cider. Yesterday as he sliced open an aubergine he was astounded to see that the seeds clearly depicted a circled A.
‘There must be some significance in this’ mused Sylvestre, ‘I’ve often toyed with the idea of devoting my life to the promotion of anarchy. This has inspired me to follow that dream’
.

The Aubergine showing the circled A.

The various writings of Steven Morrissey 1974-1983

Dear person,
So nice to know there's another soul out there, even if it is in Glasgow. Does being Scottish bother you? Manchester is a lovely place, if you happen to be a bedridden deaf mute. I'm unhappy, hope you're unhappy too.
In poverty,
Steven


In 1980 Morrissey responded to an advert in Sounds from a fellow called Robert Mackie (male Bowie seeks female Bowie for relationship, Glasgow area...). Mackie preserved the letters that Morrissey wrote to him and made them available in a 'fanzine' format in the late 80's (apart from one, apparently, which appears in the second link).





Here is a selection of letters and reviews from the pen of Morrissey that appeared in various music magazines from 1974-1981:



I was beginning to fear that the online version of James Dean is Not Dead published by Babylon Books in 1983 had dissapeared into the cyber ether- but here it is:




And here is Steven's 1981 work on The New York Dolls:




I've hunted these down so that you don't have to- respect to the efforts of the original compilers, transcribers and posters and , of course, to the author himself.


Tuesday, December 29, 2009

Kate Bush- The Kick Inside (1978)

Every now and then something remarkable comes along.
Pink Floyd’s Dave Gilmour had heard Kate Bush’s demo (which had been rejected by numerous record companies) and helped arrange for her to make a more professional sounding tape. Gilmour was also instrumental in getting her signed to EMI at the age of 16 - EMI weren’t in too much of a rush to release any of her material- they provided her with an advance of £3500 and told her to take the next year developing her material. They wanted a more commercial sound as they strove to maintain the dominance of Progressive Rock, but even at a young age Kate Bush was determined to retain control of her artistic output. Bush used the advance to fund dance and mime training under the tutelage of the legendary Lindsay Kemp.

She began recording this, her first album in August 1977 although two tracks had been recorded during the summer of 1975.
By the time the LP came out, of course, pop music was feeling the aftershock of punk- new wave, sneers, glottal stops and estuary English, and the posh sounding, folk inspired and somewhat eccentric former Convent schoolgirl was something of a curiosity.
Goofy as fuck
Here’s a tidy article.